Through the process of mapping emotions across Macau, I came to realise how subtle spatial conditions—crowd pressure, enclosure, openness, or quiet—can trigger powerful affective responses. What began as a personal walk transformed into a deeper inquiry into how the city makes us feel, and how we carry those feelings through space. Mapping my own reactions revealed how memory, mood and movement intersect to produce meaning in overlooked corners of the urban landscape. This project made me reflect on how design can give shape to the invisible textures of experience—how visual tools can be used not just to represent place, but to reveal its atmosphere.